Creative
My personal work focuses on everyday urban and suburban landscapes including architecture, public spaces, and the people who move through them. I use contemporary photography to document and analyze how space, routine, and context shape visual narratives.
Lately, I’ve been approaching photography as a tool for research, documentation, and critical observation, rather than just image making. This method allows me to explore the relationship between people and place through a visual language grounded in contemporary landscape photography and visual studies.
How To Paper Plane
This project reclaims that shared memory, that spontaneous community generated through play, where there are no hierarchies or productivity goals, only the desire to imagine together.
In a time when the social fabric is fractured by digital isolation and a constant drive for efficiency, returning to these moments of collective invention becomes a political affirmation.
How to Paper Plane proposes a model of resistance rooted in collaboration, in the transmission of simple knowledge, and in the capacity to build shared worlds from almost nothing.
5651 - Around The Iberian Peninsula
Every continent or island on earth has its own length of coastal landscapes. Earth and sea meet to create a boundary between humanity and nature.
This boundary could be seen as a line which divides the known from the unknown, signified by water; despite its unpredictable nature, water is necessary for life and therefore has been sought out by civilizations throughout time. In ancient times wherever this line appeared was considered to be the furthest one could travel.